
aesterion
summer 2025
-
Silverpoint - Blake Simpson
Portholes dot rabbit
Skin glue,
Begging
Blue from a paintless sky.
How high above the cell towers
Will you tie my hands?
How thin do you
Need me to stretch?
Will you tie my hands
To the backs of your legs?
How then will I reach
The small of your back?
And where
Is the ground in all this?
The ground, sucking shit,
No thanks, all smiles
In happy gases from hell.
Will you promise to pull
The blood from my hands, make
Me afraid to sit upright,
Make me breathe divine in
Struggle against torn muscle?
Happy gases from hell
Get thicker by the tops
Of these freestanding modernisms.
How high must rise Earth’s humor
To make you remember the ground?
-
Fens - Blake Simpson
Like before wisdom
When we were detoured breasts
Handheld and long shirts
A real Building 1 breakfast,
Empty and half underground.
Seems odd they’d build it that way
Atop the rotunda both the figurine
Cupola and the plinth itself take on a
slant.
Figure & form against greydark—
Great guerdon for pornographic pass-bys.
Who is this shorthaired and sexual, rapidfire?
Look here: dogsnout gunsmoke.
And why did you have to fold my
clothes?
Your annotations were talking
To my annotations.
Your sister wore that TV static
crown, remember?
Tuned a shade ahead?
Let’s respect each other’s privacy and
Those siren lights,
something
Must be happening over in
Brentwood—put out that pretty
fire—
Cincinnatus and he sweats
On Italian farm days.
You are beautiful at the bowling alley,
But no last shots at proving the point.
So sorry a saying;
So sorry a time to say it.
Bring the trains in.
-
Walking the Labyrinth - Blake Simpson
Walking the labyrinth at the Episcopal church,
I try to work my words pretty
To mask the flat fact that I’m asking God for favors.
In kindergarten this was my bus stop.
To me then, five years into the deal, it was a maze.
How lucky, I thought, are we
To have a test of logics baked
Into our backyard
by the other faithful?
Ask me three, two years, even one
Year older and I could have told you
It’s not about logic.
There’s no point kneeling in a maze.
How lucky, I think, I am
To live near a labyrinth,
And then I make an ass of myself,
Asking God for favors.
Other People with Less Experience
-Garrett Ashley
Coming out of the Harbor Supply store, I saw myself thirty years from now. The old man was wrinkled, sun-damaged, hair slicked back hard against his scalp. He sat on the iced-over steps, rocking his snow-covered shoulders in the direction of the parking lot. I'd been homeless for a brief time, so I could relate. I'd lived out of a car in a Wal-Mart parking lot. It wasn't so bad, and was done primarily because I had been on the move so fast that I couldn't afford to immediately get a place to live. I turned out fine but could never get used to the feeling of being noticed by people who parked next to me.
Everywhere is a terrible place to be homeless, but Laramie was particularly harsh. There were no shelters and nowhere to be warm. Anti-homeless measures went into place not long ago: sitting and resting ordinances, concrete spikes under overpasses.
When I lived in a car, nights would get so cold I worried I wouldn't be able to move the next day. My bones stuck together; my body grafted to the car seat. The old man looked through me, facing some inevitable direction into nothing. I realized that he might freeze to death if I didn't invite him to come stay with me and Jasmine.
#
"You could have asked me first," Jasmine said. "You could have called me first. You could have called Pat. You could have taken him to a shelter in Portland for all I care."
"I agree, it was stupid of me. I'm stupid. I know."
"Like, were all the shelters in Portland closed or something?"
"Yeah," I lied. Other people with less experience would have ignored the old man entirely. But I'd briefly stayed at a Portland shelter, stood in the lines, spoke into the caged windows and hauled the plastic bins back and forth, not knowing whether I would be assaulted or robbed. A cop recently shot a homeless person in a shelter. The world is a dangerous place like that.
"You're not stupid."
"Sometimes though."
"Pat's moving into this room next month. How long does the guy plan on staying?"
"He doesn't say much. I'll find him something. Don't worry."
Over in the corner, knees balled up to his chin, the old man shook something off, some feeling, some depression.
The room was full of insects. There were also rats and squirrels, miniscule beasts we could hear scratching, the vibrations meeting your ear through the carpet.
Also, the bedroom was haunted by the ghosts of two people who died there. Jasmine, shortly after buying the place, broke her arm in when something shoved her off a chair as she installed the fan blades. And then her boyfriend, Pat, walked by one night, saw something get up from the floor, bend over, and fly out the window.
Pat's moving into the room was a contentious subject because going in there at night had become a ritual for me. When the house was quiet, I sat on the floor waiting for something to happen.
Something other than cockroaches, mice scratching clawing through the insulation, the sound of leaves and twigs dragged through the ventilation by the teeth of squirrels.
Now things had quieted down, Jasmine consented, Pat nodded his head, gave his grunts, poked up his finger slightly, indicating something positive.
Later I hunched over a plate of frozen food in the dark, waiting for something to happen. The old man over in the corner rubbed the top of his head vigorously, said something through a thick cage of whiskers, then went quiet.
#
For six months I lived with Jasmine's brother, some hippie I met at a swap meet outside Portland. Jasmine said I had this kind of sexual neutrality about me that she liked. I told her okay, I'll be your roommate if that's what you want. I felt like a cat toy with legs until I came to Laramie. When I got here, nobody knew me and I finally felt I could have a voice again, laugh, twiddle my thumbs, not think about anything. Jasmine would ask what was on my mind, and, for a little while, there wasn't anything really on my mind, maybe not except what to eat or whether Jasmine had had a bad day.
I loved Jasmine. She had long, translucent arms, she touched my back, rubbed the skin through my shirt, felt the hard lump of my neck. She was a bad roommate but a good friend, and I felt comfortable around her.
I didn't know how to explain the feeling of wanting to help the old man out. I felt like she of all people would understand. It's like I'd personified an inanimate object, something to rub between my fingertips. Except the object sat on your dresser for a dozen years and one day it fell and broke and I was filled with an empty feeling, practically over nothing.
#
"I want to be a singer," Jasmine said. She ran the deli at Publix, and also owned a snowball stand a few blocks from the house. When she was home, she stood in the kitchen eating tiny sandwiches or sitting at the desk in her bedroom, trolling Etsy for hand-made model components. She kept a table in her bedroom where she'd started the foam base for a bus stop scene, but God only knew how long this hobby would keep up now that she wanted to be a singer.
I'd never even heard her mention singing before.
Pat touched her ankle.
The old man sat in the corner of the living room, a blanket thrown across his knees.
"I'm a good singer, huh?"
"You're really good. You should hear her," Pat said to me.
"What's that?" Jasmine said, looking over at the old man.
"He said something," Pat said.
"I'd love to hear you," I said.
She sang.
I would never ask another person to sing without music, no matter how badly I was in love with them.
I didn't know if her singing had any merit to it, if she knew that what she was doing might be harmful to the old man. I think hundreds of Americans find homeless people living in their furniture and closets every year. The homeless people put up with their melodies, raucous sexual enterprises, smelly laundry, 2am trips to the bathroom, constant starvation, never knowing when the owners might leave so they can crawl out of their hiding places to poke their heads into the fridge. Singing seemed like a small thing to put up with, but I couldn't imagine Jasmine going anywhere with this.
"When I was a little girl I wanted to be a dancer."
I said, "It just costs so much money to do that kind of stuff."
Pat said, "A person can learn to dance without spending money."
When Pat got up to go to the bathroom I told Jasmine she should just move somewhere else and be a singer. She looked away from me, at the wall. Her hands were tangled together between her knees. She knew how these things were.
"Has he said anything yet?"
We looked at the old man sitting in the corner, headphones plugged into the record player. He bobbed his head like a cork in water.
He muttered something to me about work early in the morning. He knew where he was, that he was in someone's house. He knew he had a lot to do. He said he felt like a fixture. He didn't want to be a solid piece of evidence that someone once existed.
A lot of what he told me ran together in my mind. His voice was like someone speaking from another room. His voice, I swear, ran into one ear and out the other, as though it came from another dimension, and I might have picked up bits and pieces of it, folded the pieces together to form something tangible.
"He thinks he's about to have a job at Panera."
"He's been in my things," Jasmine said.
"He wouldn't go through your things."
"When did you ever talk to him? Have you actually had a dialogue?"
"When you were both asleep, sure."
Jasmine was a good person, with a good heart. Or else she would have kicked him out the moment he got here.
She showed me an experiment where I looked at a handful of soap bottles, turned away, turned back, and had to guess what bottle she'd pulled away.
When I couldn't guess she said: "See there? You wouldn't even know if he's taken anything."
"Does he have a name? What's his name?"
In the 1970s, according to my father, the only homeless people you ever saw hung around big cities were mostly invisible, the only people that could see them were people from the country. The homeless wore clothing that was too big for them, like country people. Since my father told me this I'd always imagined that the majority of homeless get their clothing from country people.
When Pat came back, flopped himself down between us, we talked about how beautiful Jasmine's legs are.
#
Down on the beach, the sun became an untraceable mark in the sky, everything gray. Shivering, the old man followed behind me with a PVC pipe. I showed him one of the hard-to-spot pinky holes and told him to dig there. He got down on his knees and scooped at the sand. He came up from the hole with a clam. He even put it in the basket for me.
This is what we talked about:
"Did you ever run away when you were little?"
No.
"Did you ever stay with a woman before?"
No.
"When did you last have a job?"
I worked with my father pulling rattlesnakes out from under porches.
"Are you comfortable?"
No.
"Are you comfortable with yourself?"
Yes.
"How old are you?"
My father was a sergeant in France during the second world war.
"I'm sorry I haven't been able to find you any work. I'm trying."
The old man, in his movements, was slow, meticulous, fragile. He reached into his back pocket, held himself, seemed to forget the strap was slipping from his tiny shoulder. He moved unevenly over the sand. I readjusted the bag onto his shoulder and a clam fell out. It wormed its way back into the earth, spewing black liquid from its ass as it disappeared.
#
I stuck my head through Jasmine's bedroom door and saw the old man standing there, a blue dress hanging from his fingertips.
I went into the room and took him by the elbow. "What the fuck are you doing? Are you trying to get us both kicked out?"
I was furious. But I understood his mistake, the feeling of imagining life as someone else.
#
Sometimes I helped Jasmine with her sceneries. We sprinkled dusty grass onto the painted foamboard, then, under Jasmine's supervision, I poked a charged wire against the foam and the blades came to life. Jasmine misted alcohol and glue over the foamboard. We waited, and I thought of the wires in her wrists, the dreamcatcher tattoo on the back of her hand, the way she slammed bottles and sprays, seemingly angry at the thing she was trying to perfect. I loved her, except she never washed the bathroom or took out the garbage and she lobbed her dishes in the sink, not caring whether anything broke. I took pictures of the messes left, just in case. I thought, in some way, that she was worried about the bridge of responsibility she'd soon share with Pat. He was just a kid, pretty much, currently going through his alcohol phase. Pat talked about drinking and binging and the women he'd fucked and tattoos he'd drawn in a little notebook. This wasn't her, not in the slightest, and even though she went through that phase herself, with the tattoos and the sex and a motorcycle and everything, she couldn't help but feel like something was wrong with it all.
"You're wrong," she said. My hands were behind the toilet, unscrewing the valve, fixing the toilet, finally. "Please stop trying to examine our relationship."
Jasmine mostly chose to focus on her parents when undergoing bouts of self-examination. This was her mother's fault, this her father's. Now she blamed her disregard for our shared domestic obligations on the presence of the old man, who she said reminded her too much of her father. What a smell he generates, she said. Look at all this waste! I didn't tell her that, in a way, he was actually me, a literal me that I had become tethered to. And what was our relationship, me and Jasmine? I wanted to ask her, but my emotions were too heavy for the kind of rejection I expected to get from her.
When I thought of my father, I imagined his big calf muscles, the way he'd swing a wrench at you if you weren't paying attention to whatever he was showing you how to fix. The last thing he taught me, before I moved to Laramie, was how to fix a toilet. I wondered if he would have taught me even this if he'd known I would, essentially, fix toilets for a living one day.
Pat's opinion of the old man was that everyone had times of weakness. He said I could get in a lot of trouble, letting someone like that come live with us. He'd even said—I heard him say this, anyway, not to me—that if it were up to him, the old guy's butt would be out the door, whether there were shelters available or not.
Jasmine had trouble with her father growing up. So "I understand," she said. She wanted to talk to me about everything I was going through. She understood even though most people wouldn't, that this thing I had with the old man (it's not a thing, I told her) was only a phase, and once I got past the obsession with righting myself morally/individually, we could go on living our lives and go to the movies and eat fast food like we used to.
"I just felt bad for him. That's all," I said. I tried to keep my excuses simple enough to digest. I imagined living in a world where decisions had simpler motivations. Like: "I just really wanted to do something good for somebody." I didn't want everything I did to relate somehow to my father.
#
It's not even that I wanted to go home. But I wanted my family to say, offhandedly, without prompting, that it would be nice if I came around, they haven't seen me in a while, they missed me, would I come home? I wanted to be blamed for my leaving. I wanted it to be said that, if I wasn't so arrogant, then I would have a place right there, where I grew up.
#
While the old man wandered around the house, I went into the back room to see if I could have an experience.
When Pat eventually moved in, the old man would be out, and my routine of sitting on the floor and hoping for an experience would be drastically altered.
I stood there in the middle of the room in the dark. This is what I felt.
A coldness came over me, like they say. I remembered in high school a chain-link fence that ran along the edge of the football field and ended with the woods.
We crawled over the pipe spanning a small stream, a sewage ditch, flecked with moss.
Other things I experienced: the touch of a hand on my shoulder, hairs standing on the back of my legs, the feeling I might sneeze, a fast heat spreading from the center of my chest to the ends of my fingertips.
#
When I caught the old man going through Jasmine's things again, this time shuffling plastic items around in her battery drawer, I came unhinged. It's not like I hadn't sacrificed everyone's trust in me for his second chance. "When you come into someone else's home, this isn't how you pay them back."
He whispered something about looking for batteries.
"When you take things that don't belong to you, then you might as well not even stay, you might as well not be anywhere."
Later, Jasmine reported a few things missing: a small packet of gum, a wooden box full of cheap jewelry, a pair of underwear she'd stuffed in a sock drawer that she promised to return to, one day, if she ever gained her weight back.
"It's him. I know it's him. You see the way he looks at me?"
Jasmine gave me this look and I resisted calling Pat, telling him to get home immediately because Jasmine was about to have one of her spectacular moments. I'd had these kinds of moments before. Except where I stutter, Jasmine rambled. Where I squeezed the folds of my elbows, Jasmine jogged in place, holding her breath. While I sat at the desk, no computer, no books, but stared at the wall, Jasmine told me everything, asked me to hold her, cried on my shoulder, and I never knew what to do but say something about it being a good day, that we could just go outside and get some fresh air.
#
I spent the morning digging up a client's rose bush to get to a leaking pipe. I had mud up to my knees. Mud dried on my hands on the drive back. Something smelled awful when I got home. The refrigerator stood open. The medicine cabinet was also open, Sudafed missing, Ibuprofen, two bottles of NyQuil, a small bag of lemon drops. A bottle of bleach sat overturned in the sink next to a mixing bowl.
After retrieving the old man from the bathtub, cleaning him up, giving him a new shirt and some pants, we began the task of cleaning the kitchen. When Jasmine came home to take a nap between shifts, she discovered a large yellow stain on her sheets. But the old man had hidden himself in my bedroom closet. I found him there smoking one of Pat's cigarettes.
So I knew that this was the last straw and the old man needed to go. I liked Jasmine more than I liked the old man. And now I didn't trust him, which tore me to pieces. Just when I'd started to feel something reconnect on my insides, I was back to square one, the fear of living out of a car in the back of my mind, the memory of getting in trouble growing up and doing drugs and not having a support system, it all came back to me at once.
"Not again," she says. "I just don't know if I can handle this again."
"It won't happen again."
"I still haven't found the stuff I'm missing."
"It's somewhere," I said.
Jasmine disappeared into her room to take inventory.
There were these mixed feelings about what to do for somebody in need. We couldn't assume the old man was really, really in need, but we had to assume that he was in need, given the brazenness of the thefts, the pilfering, the lolling, the crooked eyes, the old man's illusive, subliminal language. The bruises appearing on his lower arms, the claw marks, the sense of insecurity when he passed by a mirror, which caused him to lower his head, look away. The blood on the blanket where he slept, the smell of the air and the empty warm spot where he'd been in Pat's cold, haunted room.
#
In the night there was a kid standing in the bushes looking through the kitchen window. But there was nothing to be done. The neighbors wanted their kids to see what a drug addict looked like, what sort of house he stayed in, what our people were like. They were like their parents' spies, and they were seeing something everyone would have to see one day or another, whether in themselves or in someone else. There he was, the little balls of his muscles flexed beneath wax-paper skin, the black-and-blue teeth, yellow-tipped hair, blades of bone trying all it can to tear through the skin, elbows the size of raindrops, a nose like a strawberry.
Late at night, after the sun fell behind Laramie, I went to the back room and stood by the window hoping for the touch on my shoulder, the shiver of breath against the skin of my neck. The big tree outside the window shook. The old man sat in the corner. He'd nodded off, arms around his knees. There was a ghostly quality about him. The air became cold. I felt the touch, was reminded of a time when my father took me out to look at ostriches. I came home with two big, shimmering eggshells. It was cold, and as I held one of the shells, something pushed me, and I dropped the eggshell and it shattered on the kitchen floor. The world was not a safe place to live, my dad used to tell me.
#
A pair of white exercising shoes were missing from my closet. So were a set of earbuds, which I keep in a little wooden box on the floor. I looked through the old man's usual hiding places, in the vents and behind garbage cans and under bushes. The old man, when he listened to his music, had the same set of earphones as usual. He'd never worn a pair of my shoes. I didn't know what to make of any of this.
This is what happened when I talked to him:
He drew into himself.
He pulled his knees up to his chin, tucked his hands under, rubbed his cheek against his knees.
He said something.
He barely even looked at me anymore: now he reached up a hand, touched my wrist, which lay draped across my ankle.
"You can talk to me. Come on, what is it?"
He drew so far into his knees he no longer had a face. His sharp curled form was like a nest of gray hairs poking out from bony flesh. The room smelled. I understood that I no longer wanted the old man. I'd done all I could do. I couldn't stand him. We were not the same person and we never had been. He was a static object on the floor of Pat's future bedroom. The old man refused to bathe. He refused to look at me when I spoke to him.
But I couldn't get rid of him. If I turned him out the door, he might never trust anyone again. I might not sleep at night. Worse yet, I might sleep fine.
In order to have the old man removed, I took the following items from Jasmine's room: a pink, plastic case full of mints, a pair of six-pound dumbbells, some books, three figurines from an upcoming bus stop scene, some cheap rings she'd left on the dresser. But then it came to be that I couldn't use Jasmine this way. I told her all about my plan. So she made me dump the trash out, and we rifled through all the sticky napkins and wrappers and frozen food boxes and smelly leftovers for her figurines and rings.
"My grandma gave me this one," she said.
"I didn't know."
"I can't believe you almost did this to me."
For punishment, she said, I had to throw the old man out myself. But I just didn't know how to do it.
He looked at me occasionally, winked accidentally.
I broke down. I asked Jasmine for advice. How should I kick the guy out without feeling anything at all?
"Kick his ass out. Tell him to walk the hell away and don't come back. The degree to which you are angry will balance out any feelings of guilt. That's my experience with men."
It felt strangely mundane, the tone of our conversation. We could be talking about ways to change a flat, or what color to make the garage on her newest scene. We could be talking about fixing a toilet.
#
I decided to try one last time to save the old man:
"Have you ever gone through my things?"
No.
"I'm missing a pair of shoes. I can't find my earbuds, either."
No.
"If we had a rattlesnake under the house, would you pull it out for us?"
Yes.
"Does it make you angry when I ask you questions like this?"
No.
"Do you ever want me to shut up?"
No.
"Can I ask you something?"
Yes.
"Before you go to sleep, do you ever hear anything? Any noises? Whispers? Breathing?"
Yes.
"Of what?"
No.
"Of who?"
No.
"I have something to say to you."
Yes.
#
I told myself as I lay awake at night that there was no point in devoting myself to an individual who either didn't want to be helped, couldn't speak correctly, couldn't hear correctly, or who had gone the long road and come out behind the rest of us, us being myself, and that had become learning tools for—I couldn't keep thinking on it. When I went to work the next day, I'd make a plan. My plan would be of ways to kick the old man out. I would do it swiftly, thoughtlessly, and Jasmine would have more respect for me.
The old man moaned something in the dark. Wind picked up. The tree was outside the window but it was too dark to make anything out beyond the lights from an apartment complex a block over. I knew there were knee-high weeds next to the road in front of Jasmine's place. Nothing had ever changed or improved.
#
When I got home, Jasmine had already kicked the old man out. He was already nearly a half-mile down the road—I could see him, just out the window. I looked out the window and watched as the old man shrank to the size of an insect.
Jasmine said, "It's not that I disagree with you bringing him in like that. That's not what this is about."
"He needed to be out of Pat's room anyway."
"You know I think you're a good person," she said.
"I think you're a good person, too."
"Do you really?"
I didn't know if Jasmine was really a good person. I'd seen her do horrible things, this the least of them. But I didn't know Jasmine, really. I knew that she wanted to sing, dance. I knew that she liked men with tattoos, she had tattoos herself, she built models in her bedroom, but I had no idea who she was, Jasmine the person, whether I ever really loved her, whether she was worth knowing, really, whether she was good for me, for Pat, for anyone.
"We need to clean the back room. It smells like—"
But I was looking out the window, trying to keep an eye on the old man.
"Hey, did you hear me?
But I was trying to keep an eye on the old man. When I lay awake, thinking of the old man out on the street again, I would remember myself, I would think of myself, myself, myself, what could I have done better? I watched him shudder, the size of a dot, and imagined his body splitting into two, becoming two old men the size of fleas, the size of cells, the size of atoms, becoming invisible, more invisible the more I looked.
-
Body of Absence - Donna Sprujit-Metz
I have a widow’s body—cold
most of the time. Most of the love I knew
as a child got told slant.
This full-frontal need for you
is alien to me.
Grief is a trickster—
a prickly companion—
I can’t trust the proportions
of what I feel—can’t judge
the veracity—yesterday I was angry
with our child—it was
a big anger—irregular and dubious.
I went to bed with it, slept wrapped
deep in the sheets of grief,
and you finally came to me—
crawled into our bed—took my hand,
adjusted my heart, like you always did.
It was a dream—I knew it
because you were on the wrong side
of the bed. I wanted you to stay—
so, I scootched over,
—and for a while, we rested there.
This morning, I was more familiar
to myself than I have been
in weeks—less hoodwinked
by my unwieldy needs—
brought to my senses
by the remnant
of your touch—
and charitable.
-
Batteries Not Included - Donna Sprujit-Metz
Here I am, stuck in time—counting
the nights of Hannukah
for the life of me—for the end
of yours. Thank you
for the clock you ordered
a few days before you died.
It came the day after—
batteries not included.
A friend brought
batteries but I couldn’t bring
myself to start time
until after Shiva, until after
the traditional walk
around the block—
re-entering
what should no longer
be a shiva house.
It’s one of our magic
traditions.
But when I re-entered our house
I was still in mourning—and you
were still absent.
I loaded the batteries—
the clock ran perfectly—
but time has yet to start.
-
The Slow Animal of Silence - Donna Sprujit-Metz
I’m listening for you
in the quiet ordeal
of the night—listening
for you in the breath
of the pups, calmed
after our evening walk—
I’m listening for you
now—as I toil
at this page—waiting
for your voice
to gust through
me—and often
there is silence—
and wind
or fire—now and again
you arrive. Meanwhile
I bend
to my widow tasks—
the notary, the bank,
the food that is now
three months old—
clamorous details
wake me in the night—
all this noise. My friends
worry that I spend too much
time alone—but it is only
in this quiet that I can
listen for you,
as I am listening
now.
Last Colors
-Esteban Cajigas
After seventy years together, they slept in separate beds for the first time. The only time. Doctor’s orders, she explained. Gabby looked into the flicker in Henry’s eyes and knew he was still there. They were brown. They were his. He couldn’t talk now, after the strokes.
His lips were parched. Dry lines spread like dunes, cutting through them. He could barely move or shake in his gurney, but if Gabby hovered over his face, he bent his lips up into a kiss.
The nurse had installed the temporary bed next to their marital mattress.
“Gordo, remember when we went dancing at El Nogal? When we rode that motorcycle in Paris?” Gabby said.
He nodded.
“The pineapples we ate on the beach during our honeymoon?”
He nodded again. Tears used to swell when he remembered the unapproachable past. Now, he stared at whatever came next. They’d been alone since losing their daughter when she was still young.
You’ll see her soon again, Gabby thought.
Death was here. It lurked on every surface of the apartment. In his gray hair. In the stale coffee. Dust covered the closed curtains, and dishes overflowed. The tasks and daily inconveniences that had made up a day were no longer there.
Gabby sat by the gurney and fed him water droplets through the night. She used to keep orchids alive. The night nurse they’d hired sat nearby, eyes blank, stationed for when she was needed. With every cleaning, every feeding, every changing, Gabby felt the nurses were taking her husband further away.
“Is there anything we can do to help him?” Gabby asked.
“Unfortunately not,” they said back.
The German beer mugs he’d collected during his travels sat on his desk, unappreciated by this phase in time.
Henry signaled toward the pen on the nightstand, so Gabby handed it to him with a piece of paper. When his squiggles didn’t form shapes, she wrote for him, waiting for his nod after every word. It said: “Today I can’t write… but tomorrow maybe I will.”
“Gordo, don’t forget to pray. Even in your silence. Maybe you can get a little better,” she said in the room’s darkness.
His fingers found an inkling of strength as they grabbed her wrists. He strained when she left to use the restroom. ‘Don’t abandon me,’ he’d say when there were still words inside of him. ‘Don’t leave me for a second.’ The couple held still, waiting for the first sunlight.
In the morning, between the nurses changing guard, Gabby rubbed Henry awake, combing what was left of his hair. His skin wasn’t what she was used to.
“Guess what I just read. There’s been a new color, Gordo. Newly discovered,” she said.
His eyes widened. He smiled.
“There’s a new color at the University. They invented it last week. I just read about it in El Tiempo. It’s having positive reactions with different people. Medical and psychological. Some sick patients said it made them feel better. You’re just old, Gordo, but maybe it’ll do something similar,” she said.
He nodded back.
His forehead was warm, she thought, but his temperature had lowered since yesterday. Somehow, his face looked more like it had when they had first met. His cheekbones came out like they used to when they were just kids.
“Can you imagine a color you’ve never seen? We have to go to the school to see it,” Gabby said, looking around her house. “Let’s go before the next nurse comes; who knows, she might try to stop us. Let’s go, Gordo. Let’s not wait.” She helped him get his slippers on and lifted him into his wheelchair. All of her ached from pushing him forward; even in his diminished weight.
Outside, it was humid and hot. Their clothes stuck to their necks as the July sky punished them. The day spun without remorse. Gabby noticed every time Henry winced. The bumps on the sidewalk seemed to vibrate through him. With every second, there was less of him, and it made her dizzy. She wasn’t sure when her life had stopped being real.
“We’re almost there, hold tight,” she said. Thankfully, she wasn’t lying.
The University sat mostly empty for the summer term. It looked clean, like a hospital or a museum for tourists and aspiring students. The laboratory was famous and easy to find without asking too many questions.
“Be a good sport, Gordo. Smile. Maybe this’ll help,” Gabby said, pushing him into the waiting room. She got her hopes up when she saw there was nobody else there. Maybe they’d get seen right away.
He nodded and tried to swallow, hopefully without too much pain. Gabby sensed that the smallest phlegm made it impossible for him to breathe. Still, Gabby knew he planned on fighting for every second. He always had. He wouldn’t leave her behind so easily now.
A grad student welcomed them in. He led them to something like an optometrist's office. A few scraggly hairs covered his jaw. He couldn’t have been older than thirty, but he wore a white lab coat with blue Italian loafers, like the ones Henry used to wear.
“You’re a perfect candidate. Thank you for coming. Only eleven people have been exposed to Diro, but the clinical trials are promising. We didn’t intend to make a new color medically helpful, but we’ve had surprising results. It might reverse Alzheimer's, Parkinson’s, and other neurological conditions. It might even help slow aging or possibly help alleviate some of the pain associated with late-term care. At the very least, it’s something new to look at,” he said.
“Is it safe?” Gabby asked.
“Absolutely. In fact, it’s better if you see Diro first. That way, you’ll know what to expect for your spouse.”
“Are you sure?”
“Sure, it’d only take a second. Go ahead, take a seat behind the lensometer. In the lens, you’ll see a light. That’s a laser. Focus on that for as long as you can.”
Gabby sat back and tried relaxing. “And what about my Henry?”
The grad student grinned as he adjusted his instruments. “We’ll keep an eye on him, ma’am. Don’t you worry. Then we’ll show him too. You’re going to be a big fan,” he said.
Gabby leaned into the machine until a green light covered her vision. On the right end of her eyes, a red sparkled while blue swarmed onto her left. They deepened and intensified, absorbing her the way water did when she jumped into a pool, covering all of her. A sky full of fireworks erupted in her pupils.
“When you see a color in everyday life, you activate other receptors too. Red has a bit of yellow. Purple has a bit of blue. All I’m going to do is isolate the green, which your brain has never done before. It’ll make something new,” the grad student explained. As he spoke, the red and blue disappeared, casting a new light into Gabby’s retinal cells. A calmness soothed her. Spring bloomed while flowers stretched their pedals. Their seeds broke open as roots found their nature. She sat there, in the cold university room, but her eyesight split, like cells multiplying, becoming fresher and rejuvenating after every rupture. After so many years, she wasn’t sure she’d ever feel something so new and foreign to her. A transformation. A fountain of youth. It was like having her long lost daughter near her again. She pictured Henry’s dark hair. It looked thick, and there was nothing he couldn’t do in the world. There was a life in front of them, years of hope and promising aspirations. Doors waited to be opened, if only Gabby and Henry wanted to choose them.
“Gordo, it was beautiful,” she said, standing up. The grad student helped her roll Henry behind the machine. She tingled. The closest thing she could think of, the only comparison she had to what she’d just seen, was like taking communion.
The grad student tilted the lens so Henry wouldn’t have to bend his torso. “It’ll just be a second,” he said, turning it on.
Gabby waited, clutching her knuckles. She watched for any signs of comfort on his body.
“There,” the grad student said after a moment, pulling the lens back.
Gabby hugged her husband as much as his chair let her. “Tell me, Gordo. Did you see it? Do you feel any better?”
Henry locked his jaw, sitting still and thinking.
“So?” she asked.
Henry shook his head. His eyes looked hopeful, but his stare was painful. Gabby hovered over him for a kiss, but this time Henry’s lips didn’t pucker.
-
Too Tough for Your Knife - Giovanni Mangiante
You dragged your mistakes through my living room
and wrote your
regrets on my bathroom mirror
while I waited
burning cigarettes
onto
the mattress.
You stepped out half-naked,
took my wine
and tried to wash it all off
as if nothing
had
happened,
but
I’ve got 8 years of scars
over my arms and legs,
and I’m simply too tough for your knife,
so go ahead,
drink it all
off.
When the night is loud you’re
the only one
who’s going to burn.
-
Tough Teeth - Giovanni Mangiante
There are mornings
where you have to make yourself a cup of coffee
knowing someone else is fucking her,
and you add a bit too much sugar
or the bread's got mold
or the dog took a shit in the living room,
but you take that coffee to your desk
anyway
knowing that you'll pull through all of it
because misery is what gets
books written.
-
The Loss - Giovanni Mangiante
I ripped the receipt of the last movie
we watched together
and threw away the flight ticket you left behind.
I climbed down an eight-year-old perfume bottle
to soak these ligaments pushing thirty
to soak the cracking noise my shoulder makes
to soak my sprained ankle
to decompress the weight bending my spinal cord.
There in the lake of what you were,
I am still twenty-one.
The Ribbon
-Esteban Cajigas
I am being followed. Unfamiliar footsteps and shadows creep up the street. They remain unseen, but they are pointing toward me. They’re looking and I am almost in a safe place. It’s freezing outside My Mother’s old house. Icey Connecticut. No one except The Lover knows I am here. Not even The Wife. So I try to breathe, but a man in aviators stares at me from his Jeep. He is stationary and glaring at me. He should just go. Stay away from me, I say. There is blood in his eyes. A vicious ichor. A vicious suspicion. So I call for help and knock on My Mother’s door. Even if she isn’t home, a neighbor will hear me calling. But no one comes out. Nobody is listening or cares enough to look outside. Only the sidewalk where I first learned to fall separates the hawk and me. My nerves bend my knees so much I fall to the ground. The patio’s familiar floorboards; splinters and ashes. The aviator-man rolls down his window. Is everything alright? He asks. I’m looking for My Mother, you see. She’ll be here any minute, I warn him. My shaky voice betrays any air of confidence. You have the wrong house, friend. An old pastor lives here, the man says, reaching to open the Jeep’s door. So I search my jacket for my keys, a pen, anything sharp to defend myself. Surprisingly, in my inside pocket I find a small kitchen knife. The ones you use for limes or to dice garlic with. I’m not sure how it travelled with me, but I am grateful for this Intervention. So I wield it between him and I. I let the man know I am willing to do us both in. The man in the aviators says, I’m calling the police. So I pretend to rush the car, but I run into my own instead. The key is still in the ignition and I floor the pedal as hard as I can, driving into the bumper next to me. Sonofabitch, the man in aviators says. I laugh as he shrinks behind my mirror. Soon, I am on the highway, surrounded by woods. I notice red flakes under my fingernails and I wonder how that got there too. The man’s words spring back into my head; if My Mother doesn’t live in the old house, then I have no idea where she is. I have to drive back home, there is no other place to go. But The Wife would never let me in. Neither would The Lover. At least not now. I am no good at confrontations. Like letting The Wife see me with The Lover. I wanted to get caught, I say. That’s why I didn’t walk away when I knew I should have. Even when The Lover tried to end it. Before The Wife made me leave. After everything ended, we allowed ourselves a moment to reminisce. To brush past against the present. I asked The Wife then: Do you think people change? She said, No, they just become more of themselves. I needed to get caught. The truth always outs in the end. I drive past the usual exits toward downtown where I think My Mother is. Her favorite bar; that’s where I will find her. A gurgle starts in my gut, coating my insides with something thicker than slime. I can’t help wincing and spreading my arms. A dagger festers in my stomach. I clench the buttons on my shirt and undo them. Nothing stops the pain beneath my belly button. Before throwing up, you always know it’s inevitable. So I release the rot onto my lap. The poison leaves my body, burning my throat on the way out. I can breathe again. At least for now. The freedom lets me think about My Missing Mother again. I need My Mother. Where would I be without her? Where could she be? I get to the parking lot and stop for a moment before going in. There are napkins on the dashboard. So I wipe the shit off my lap. A creamy red, like ketchup and mayo mixed in bits. Between my legs I find a finger. Yes, a finger. Three knuckles, a nail, a few wrinkles. There is even a wedding band around it. It wasn’t far from where the bone was cut. Teeth marks. I flick the finger to the cleanest cup holder. It is almost impossible not to puke again, but I do not want to find out what else could come out next. The car reeks like acid and my mouth like eroded flesh. Cheap mints won’t do. But it’s better than nothing. The convenience store is just steps away. Outside I can see my breath. Black ice covers most of the empty lots around me, so no one sees me rinse my mouth with snow. I rub some against my face. Cleanliness is next to godliness, The Lover used to say. She was a year of getting everything I wanted. I am feeling more empty now that it is done. Bending truths just to see another light. I couldn’t have walked away. I am turning more into myself. Putting down the things that mean the most without questioning it. But what does anything mean without any balance? An old woman exits the store. She drops her plastic bags when our eyes meet. I ask her where she is going. Nowhere, she says, hurrying away. Where is nowhere? That sounds like a perfect place, I say. She holds out her cane and scurries into her station wagon. So I shrug because there’s not much you can do when someone makes you feel shame. I am an outsider looking in. The shop’s door pulls easy. I feel clean and strong. Inside, mothers teach their children how to pick the right fruit. Men haggle over loose cigarettes. I find my mints. The fluorescent lights strike my eyes like matches. I should drink water, but the bright tall boys find me first. Sixteen fluid ounces. They cry out like drowning sirens until I pick one up; until I save it from the coldest depths of the fridge. As I turn in the aisle, Someone’s Mother gets in my way. It has to be Someone’s Mother, from the wear and tear and strength in her face. Maton, Maton, Maton, she says pointing at me. Her hand shakes. Behind her, on the newsstand, I see my face on the front pages. I see my dead-eyed portrait. Maton! Maton! I cannot handle this woman’s screaming. So I push past her and pick up the gazettes. That is me alright. It is a photo The Lover took last Christmas. The one I had I spent away from The Wife. A memory from a previous life. A warped reality I no longer fully recognize. The headline reads: New England Cannibal Identified; Still on the Loose. Everybody in the shop gathers as the mother raises hell. Please be quiet, I say. Please don’t shout. I don’t know what this rag paper is talking about. I don’t have a clue. I’m harmless as a little lamb. The publisher must be confused. I am in two places at once. I see myself on the page as if it is a mirror. I read the subheadline next: Killer Thought Responsible for the Disappearance of his Wife and Lover. How can this be true? But then I think about the finger in the car. The wedding band I swallowed. Maton! Maton! It’s not me, I say. I’m a decent hard working person. My words don’t make any sense. Soon I am surrounded on both slides. There is less and less space. The police are almost here, someone says. So I force my way out, pushing the tough mother and the others standing by. It’s not me, I say. There is now way. I taste blood and I am not sure whose it is. Where is My Mother? She is the only one who can help. The only one that will. They are supposed to be there when the world turns against you. A mother’s lonely love. The screaming behind me grows as I cover my face and jump into my car. The vomit smells worse than before somehow. As I start the ignition, a dark-haired teenager breaks open my window. The glass shatters over me. They’re all screaming: Get him! Don’t let him get away! It’s getting hot around my face. My ears are burning. I manage to accelerate, but the car isn’t in gear, so the engine roars and revs without moving anywhere. I’m powerless against the mob. Their eyes bulge and their teeth sharpen. Somebody pulls me out from the window, holding my armpits. Everybody is louder than me as they hit my temple. They’re using the same anger The Wife once used against me. My tired hands cannot keep up with everybody’s swinging. A panic ripples through the crowd. Somebody has spotted the slimy finger that came from inside me. The bitemarks match my incisors and I flash my weapon to let them know the risk. One of the teenagers gets too close, so I snap toward his elbow like a rabid dog breaking loose from a leash. This creates some space. I even wave the finger around too. It is a lit torch. The car is already on, so I waste no time getting in and steering toward my mother’s place. Driving away requires threatening the mob with my vehicle’s full weight. And I do not wait around, swerving around traffic. They are not just going to let me disappear. I am running low on gas and full of fear. I underestimate what panic can make you do. It is beyond primal or instinctive. Distress. Getting hunted. Being alone in your own skin. Even with the snow, I drive like I know what I am doing. I skid with total confidence. There is even an open spot in front of My Mother’s old house.
I am being followed. Unfamiliar footsteps and shadows creep up the street. They remain unseen, but they are pointing toward me. They’re looking and I am almost in a safe place. It’s freezing outside My Mother’s old house. Icey Connecticut.
-
Things You Can Say About Depression That You Can't Say About Bronchitis -Marc Cid
0.
I have bronchitis, I told them,
so I’ll be keeping quiet
and to myself, if I go out at all.
Sorry in advance for all the coughing.
Let me help you, they said.
I.
said I fixed my bronchitis
when I quit cigarettes.
I told her I didn’t smoke.
Then you don’t have
bronchitis.
II.
said everybody gets bronchitis
every now and then, you just need
to stop thinking about your lungs,
find a way to distract yourself
from breathing. How ‘bout
you pick up a night shift
at the bar I’m working at?
I’ll put in a good word
if you just stop coughing
all the time. Every time
you let yourself cough,
you’re making it worse.
III.
said bronchitis is a symptom
of modernity, the manifestation
of the misalignment between
your bronchial tubes
and your invalid attitude.
You should try doing yoga.
IV.
for the record, I was too busy
doubling over from clusterfrag
coughs detonating behind
my ribcage to respond.
They patted me on the back
and nodded sagely.
My point exactly. See?
I know what I’m talking about.
-
Just Let It Go - Mark Cid
I.
Just let it go, they said.
They didn’t know what happens
if you release a viper
after catching it by the neck.
They looked at the snake
that tried to bite you, now hissing
and writhing in your hands,
like it was a rolling suitcase
with broken wheels,
weighed down
with rocks and dust.
II.
Just let it go, they said.
They weren’t looking
at your hands.
When you told them
about the superglue
coating your fingers,
they didn’t ask
how it got there.
They didn’t give you
a solvent to dissolve it.
They asked you why
you dunked your hands
into a bowl of superglue.
They walked away
before you could answer.
III.
Just let it go, they said,
as you dangled over
the drop.
But you didn’t want to fall.
And they didn’t want to catch you.
-
Inhuman - Mark Cid
You joke about being dead inside,
but never mention what killed you.
I get it.
How some auditoriums make sincerity
more trouble than it’s worth.
All the delicate crystal shattering
from truths given voice.
They don’t say it this way,
but the trick to not breaking anything
more valuable than your spirit,
is to forget how to sing
anywhere beyond the most
mid-range of frequencies–
defuse and remove all the deep
-end resonance and the fierce
piercing pipe-bombs ticking
away in your throat.
And their trick, is to convince you
this excision was your idea. That
from every other auditorium, every den,
every antechamber and bedroom
hangs a brittle chandelier you have
no right to break–so tread carefully.
Exhale, and speak as if even one
wrongly-timed sigh from you releases
a series of hypersonic shockwaves,
drop a razor-edged hailstorm
atop the occupants’ heads.
When I say you’re not as funny as you think you are,
what I mean is, some of the jokes you tell
don’t land the way you expect, because
I have recently discovered auditoriums
where the heartless do not gather,
unattended by those who laugh loudest
whenever you make yourself your own punchline–
when the entire set-up to it sounds
like you’re backtracking into
a penitentiary comfort zone
someone else designed
just to keep you detained.
I get where your sense of humor comes from.
How the idea of No one takes me seriously anyways
dawned upon you. How the slow drip melting of it
flows down to your tongue. How this change
in states of matter and mind flows from
your hands, holding up that spotlight sun.
What it takes to be cosmic heat lamp,
spring thaw, and whatever ends an ice age.
American Pantomime
-Brian Gresko
I was in first, maybe second grade, when Dad prodded me up in the middle of the night and said, “Come on, The Phillies are next door.”
By this point I had learned that when Dad commanded, my role was to do, no questions asked, so I slipped a bathrobe over my footy pajamas in silence. As he carried me across the dark yard to our neighbor Don’s house—a rare treat, to be held close like this—Dad explained that since Don coached baseball at Drexel University, Don knew The Phillies personally. Well, okay, that made sense to me. But this late night waking with no warning was weird.
Especially since Dad knew I wasn’t into sports in general or baseball in particular. I mean, men literally whack a ball with a stick then run a circle around a field, how boring is that? But this was the early eighties, and in the suburbs of Philadelphia The Phillies were like the gods of myth, distant figures whose names were ooh’ed and aah’ed over, or cursed when they fouled up and cost the team the game. One bad play could ruin my dad’s week! I didn’t get why he cared, or why the cool kids who traded baseball cards before school made a point of memorizing the meaningless stats and lineups. My ignorance was a social sin in what I now understand was a highly normative Catholic school environment; my penance, being ostracized and name-called—Poindexter, gaybird, faggot. Names I didn’t understand, though their intention was clear.
So as I burrowed my face into Dad’s broad back, my little gut whirled with anxiety. Though I couldn’t put words to it, my body intrinsically knew that The Phillies weren’t just The Phillies, they were Men, and to know of and admire them was what made other Men, like my dad and Don, Men, and it’s what would one day make the boys who picked on me Men too.
Another thing I couldn’t put language to was why I wasn’t like those boys. I did know one specific thing for sure about The Phillies though, and that was the name Mike Schmidt, the third baseman, a hero of legendary status. How could I not know Mike Schmidt? Some days it seemed he was all anyone talked about.
“Will Mike Schmidt be there?” I whispered.
“The whole team, even Mike Schmidt.”
I gripped Dad tighter and looked at our house receding behind us, an oasis of light in the night. Stakes were high. What would I say to any Phillie, let alone the most famous of them?
Inside the house, Don sat at the dining room table with six other guys. His tan skin was leathered and cracked from years on the sidelines, a stark contrast to his fine white hair, and in his talons he gripped a tall silver can of Schlitz beer, as he almost always did. “Brian, get in here!” he barked, when he saw me in the doorway.
He frightened me, using his outside voice in the small room, but I stepped forward, as defenseless as Odysseus when he stood before the fierce giant Cyclops and announced himself as “No man.” I was not so bold and instead stood silent, watchful, my toes kneading into the beige carpet as if I could open a hole in the floor and disappear. In the yellow haze that hung around the light fixture, the half dozen ballplayers were indistinct creatures with beady bloodshot eyes and ruddy cheeks, bellowing smoke. “I want you to meet… The Phillies,” Don growled.
Something about the smiles of these young men, and their laughter, combined with this late night visit that had been sprung upon me, set off alarms—stranger danger. But I was in the care of my dad, and grandfatherly Don; men I knew, or thought I knew, or ought to have known. Men I believed I could trust.
“The Phillies?” I asked.
“You do know The Phillies,” Don asked. “Right?”
This sounded suspiciously like a test, the kind I knew well from school, when boys would break from discussing last weekend’s game to pop questions like “Hey Gresko, do you even know what position Mike Schmidt plays?”
“My Dad told me Mike Schmidt would be here,” I said to Don, because I didn’t really know The Phillies, but it didn’t feel safe to say that, not with The Phillies actually maybe sitting right there. Mike Schmidt though, that was a name so large I could cower behind it, like a shield.
“Yeah, of course Schmidty’s here,” Don said, and a hush fell over the table. “You see him?”
Breath held, I looked from face to face, but nothing felt familiar except the mocking quality of the guy’s not-quite-stifled giggles. Don lifted a cigarette from an ashtray piled with buds; its smoke tendrilled into the maelstrom above us. As the silence grew, he took a long pull then nodded at one of the guys opposite him. “That’s Mike Schmidt right there.”
They all laughed, especially the man he’d singled out, who did have reddish hair like Mike Schmidt, except it was an afro, and whose beet red babyface didn’t look like what I thought of when I thought of Mike Schmidt. But what did I know? I figured a baseball team had to be bigger than six players, but clearly I was wrong cause Dad said all The Phillies were here, and now the gaze of each and every one of them beamed upon me like headlights. I could feel my cheeks burning from the heat of their attention.
The red-haired man smiled and held out his hand. “Hey kid, I’m Mike Schmidt. Nice to meet a fan.”
His mitt was warm and moist and huge around my tiny palm. Don told the guys to go around the table and introduce themselves, and when they asked if I knew who they were they laughed if I said yes, and laughed harder if I fessed up to not being totally sure. Then Schmidt himself asked, had I brought a baseball for him to sign? I hadn’t, so the team scrawled their names on a paper napkin instead.
Don took the paper napkin in his calloused hands, studied it, then brandished it to me like a relic. “You take care of this,” Don told me, voice pitched low and serious. “So one day you can tell your kids, you met The Phillies.”
My audience concluded, Dad settled into that nasty funk of bad breath, smoke, and beer while I ran home alone, footy pajamas soaked through with nighttime dew, eyes alert for fanged monsters in the dark, that napkin held tight in my clammy fist. Mom got me back to bed, annoyed I’d been up so late and annoyed Dad hadn’t come back with me. The next day, the whole thing seemed like a dream. Dad didn’t mind if I brought the napkin into school, but as awkward and weird as I was I knew that wouldn’t be a good play. Why would a Poindexter like me have a paper napkin signed by The Phillies? No one would believe me, not the cool kids, not even my two friends. Hell, I didn’t believe it myself. Not really.
After Dad left for work I tossed the napkin in the trash.
Now, looking back, I can hear what my dad would say whenever he gets called out on one of his little jokes like this: “oh, lighten up.” And a part of me, the part that wants to be the good little boy Dad demanded I be, says the same. What’s the big deal? These guys were having a bit of fun at my expense—just a harmless prank, right? At the end of the season, Don probably had a few seniors from Drexel’s baseball team over for dinner, they got drunk, stoned. My dad, not that much older than those college guys were (though never a college guy himself) kept half an eye on the world outside the living room window and loved nothing more than roaming about our suburban street corner to gossip, drink, or smoke up with the neighbors, a habit from his youth in Philadelphia that caused some stress in my mom, because he’d often wander off when there were chores to do. Dad and Don were just fooling around the way their own drunken fathers had probably fooled around with them. What felt like the middle of the night was likely only nine thirty, and the players who seemed intimidating giants were barely beyond boyhood.
What’s hard for me to say even today, almost forty years later, is the word humiliation. Because that’s what that night was about, really. A gang of guys humiliating a young kid, mocking him, mocking me; the boy’s father no less, my dad.
Like so many things, my old man and I have never talked about it, so I can only imagine how the whole stunt started. Did one of the ballplayers ask Dad if his kid was into baseball, and my dad was like, “Shit, he wouldn’t know The Phillies if they were sitting here in this room?” Or perhaps he proposed the ploy to impress Don, a kind of father figure to him, a man so old fashioned in his conservatism he thought french kissing in John Hughes’ movies a sign of how depraved youth had become, and who surely noticed I preferred playing pretend with action figures to tossing a ball around in the backyard.
Kiese Laymon writes, “Those who we seek to humiliate, we eventually seek to destroy.” What could my dad have against me? A lot, to hear him say it, as I did often enough. He ended up marrying my mom, single and pregnant in her early twenties by another man, because of me, me—a loner with his head in a book most of the day, a boy who sang and chatted to himself and had closer relationships with stuffed animals than he did his peers, who preferred watching reruns of Hanna-Barbera cartoons to ballgames of any sort. Dad rode in like a shining white knight, but his armor was not without the stain of resentment, especially when reality didn’t match his American dreams, one being to have a son who fit in better than he had done in his own youth, a perpetual loner, underachiever, and, later, stoner.
“You’ve always been a little different,” Dad would tell me, and the way he emphasized the word different conveyed that whatever that difference was, it wasn’t good.
As a young man in his early thirties, my dad worked at a monotonous job soldering circuit boards. Factory work. It was a sacrifice, he made clear. The white man’s burden. I owed him deference, not difference, and to defy him was to incur his wrath. Anger was the emotion he felt most comfortable inhabiting and enacting, at home and in public. Aside from New Year’s Eve, I rarely saw him kiss or hug my mother, and by the time I entered kindergarten he’d all but stopped touching me with tenderness, but he threw little tantrums everyday, snapping, yelling, mocking, threatening, grabbing, spanking. A sadistic streak he claimed was in service to love, because what is the world for a man if not suffering and injustice at the hands of stronger, more powerful men—your boss, say, or the taxman. A man has to be tough to survive. Better I learn it at home, from him, than be humiliated out there in the real world.
Being a man was one of many things to which I needed to pledge allegiance and yet which were not mine to own or understand. Not athletics, where I couldn’t excel and, in what was the most cardinal sin of all, found little to engage me as a fan. Not whiteness or heterosexuality or the working class or Christianity, roles which came without a clear script, though if I didn’t deliver the right lines at the dinner table or on the schoolyard I knew it—I was made to know it, by my peers, my teachers, my parents. Humiliated, with the intention to destroy whatever was different about me.
In previous drafts of this piece, I identified this night as a turning point—before this, school was a place where I had to pretend in order to survive, but after, I felt the need to put on the same act at home. That’s not true though. The reason this night sticks out to me is because of its strangeness, and the public nature of being made a spectacle in front of strangers, the butt of a joke I was too ignorant to fully grasp and which I was never let in on. But I could sense the intention clear enough—to better themselves by lessening me, to hurt and to other.
This kind of hazing happened all the time in my house, typically in smaller ways, though not always. At family picnics and parties, my dad and his older brother might goad me or one of my cousins into eating hot peppers, then laugh with glee as tears of pain rolled down our faces, belittling us for being not man enough to take it, and also not man enough to stand up for ourselves and tell them to go to hell. Of course, doing that would have drawn their ire too—seemed to me like this game men played was lose-lose for the opposing team. It’s because of this bullying that, as I grew, I wrapped my differences in a cloak of silence and built a tough exoskeleton around my soft center. I hid so well, I even hid from myself, and it would take years before I began the process of searching for what I’d stashed away down there, the thoughts and feelings, the questions and the cries of “bullshit,” the tears as well as the embraces, the tendernesses.
In this I am not unlike many Americans, of all genders. So many of us, indoctrinated to mistake sadism for strength, ridicule for humor, pain for parental love. So many made small by their parents, now seeking to make their own kids smaller still, not out of spite but to feel better about themselves, because if they wound as they were wounded it can seem like winning. That’s a game I’ve never been interested in either, but it’s one we see being played in the highest halls of power by leaders whose daddy issues trump all logic and decency. Lying and abuse, our national pastimes.
I can forgive my dad because I love him and, more importantly, I love myself enough to not mistake scars for a badge of strength. I have been hurt and I hurt still and I might always hurt, and that reminds me to be better and do better in my efforts not to hurt others. I say this less with pride than resignation, because there are times I hate these aches, and I too sometimes fail, a human like everyone else. If only we could, as a culture and as individuals, detach our egos from our children and put aside all the rigid myths that perpetuate aggression, including that of gender. If only we could stop running in oppressive circles and instead play make-believe and pretend, dreaming up a better world than that which we know. Now that’s a game you can count me in for.
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Dream as Deity - Natalie Marino
America has broken ligaments.
Surrounded by concrete
people still sing but they cannot hold anything.
My neighbor on the left
is the same as the one on my right.
Brittle clouds hover above them both;
their shame is like Orion’s hatchet
in a shock of stars that no longer is.
Even children are tired of seeing
their parents trying
but not reaching a threshold.
My daughter tells me
everyone needs a myth they can believe in.
Even the night searches for a new lyric.
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Elegy to City - Natalie Marino
I miss you babe.
I miss your face,
your smell
of melting asphalt
in July.
I can still hear
your sad sirens
at night,
see your mornings
punched pink
by smog.
If I’m honest
you never really
belonged to me.
When the air was dull
and dark
I watched your buses
on Wilshire
go by gutters of thin water
while pigeons hid
under palms.
Next to your yucca plants
and succulents
I was just a fragile flower
waiting to be undefined.
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Before and After - Natalie Marino
Watching the world from a ladder
I was a rule follower.
Something either
was or wasn’t.
I believed in the sanctity
of separateness;
I said mantras
at an individual altar.
When my mother died,
I didn’t hold
her hand but I wasn’t afraid;
I didn’t want to know the end.
Now I wonder if there really is one.
After I couldn’t find anything that wasn’t
a poem I came to accept that love is constantly
changing.
Now I see celebrity as meaningless.
I see each of my daughters
as a little sun
in an ocean of sky swallowing all the blue.
Awful Greek
-A.J. Jacono
I am an awful Greek. I have never baked spanakopita. I don’t know what makes a good moussaka. I detest rubbery halloumi blocks and grimace at the rancid stench of feta. I don’t go to church, not even on holidays, and haven’t prayed to God since I was twelve. I spent five years in Greek school, ancient, grouchy Yia Yias babbling at me in that familiarly foreign tongue, but the only two sentences I remember are “you have yellow teeth” and “go fuck yourself.” I am told that Greek is a graceful language. I cannot confirm this.
To other Greeks, my lack of culture is a transgression; to deny the practices that predate your existence is akin to matricide. My own Papou and Yia Yia are ashamed of my carefree ignorance, though unlike other older Greeks, they have never said this aloud, and if they have, it was in a careful whisper, a thousand miles out of earshot in an elderly gated community in southern Florida, their filoi nodding in aggressive agreement. The reason for their quiet disapproval is that they fear any discouragement would make me even less likely to rekindle a relationship to my roots later in life. What they don’t know is that such a reconnection would be a miracle, as my Greekness boils down to irreverent caricature, mimicking the guttural accent and poking fun at Hellenic xenophobia.
We must annihilate the Turks, I cackle at my grandparents’ expense. They think that we are the animals, but it is they who are truly the violent chimpanzees.
The irony is that I don’t fully understand these animosities and never will. I wasn’t baptized in that specifically Greek hatred, partly because I am a Zoomer, but mostly because my mother was born in America and rejected her parents’ heritage. She spoke English at home, took drugs as a teenager, and, somewhat out of rebellion, married a third-generation Italian-American whose connection to his own background is slipshod at best. He speaks no Italian and finds Europeans to be stuck-up, pretentious, and self-interested. Worse, his nose is so long and aquiline that, when they first met him, Yia Yia and Papou thought that my mother had committed the ultimate sin by dating a Jew. They were so relieved to find out that he was raised Christian (albeit an inferior denomination: Roman Catholic) that they excused the fact he was an insufferable Italikós.
He likes to eat meatballs? They are not as good as keftedes, but they are better than latkes!
If it weren’t already clear, I grapple with my disconnected ancestry via cynicism that screams “elitist New York douchebag.” I’m not comfortable with this coping strategy, but at least I’m self-aware. Where things get muddy, though, is after the laughter has faded, at which point I can’t help entertaining some inward examination, especially considering my perspective is disrespectfully reductive. In other words, I do have a desire, however bastardized it may be, to not only shake hands with my Greekness, but to pull it in for a warm, understanding embrace.
The problem is that I have no idea how to do this. My lack of language is the primary inhibiting factor—Greek is like a secret password required to be admitted into a thumping downtown nightclub—but even if I had the linguistic ability, there are too many subtle obstacles that only a lifetime of indoctrination could help me clear: the boisterous, gesturing conversational style; the unquestioning adulation of family and friends; the strategic emphasis on marrying within the culture to keep the bloodline strong and alive.
These parameters are too rigid for my taste, though they can be just as stifling for those whose parents spent their formative years hopping between Astorian diners. My first cousin,
Alexander, the son of a die-hard Cypriot kóritsi and my mother’s traditionalist older brother, finds himself in a schizophrenic tug-of-war between Greek and American. He is proud to speak his maternal tongue, but embarrassed to have such harsh Mediterranean features (hooked nose, olive skin, long and narrow face); he has visited our paternal hometown, Lefkara, a dozen times, but has always found Cyprus way too fucking hot and humid to enjoy. He was raised listening to a looping soundtrack of Greek pop and dance tunes, but has spent the last decade consuming a stilted combination of shoegaze and black metal because they better align with his depression.
“I feel Greek in a lot of ways, but in others, I don’t, and it’s hard to know how to reconcile that,” he once told me. “I think it’d be easier to be either one or the other, you know? Because then, it wouldn’t be so fucking confusing to figure out who I am. But I guess that’s the whole crux of being third-generation: you’ve got to decide which parts of the old culture you want to keep and which parts you want to give up. It’s like choosing which of your two kids you’d rather kill.”
I wish that I felt the same way: caught between two diametrically opposite lifestyles, wondering which would best benefit future generations. This seems an inherently interesting problem to have, but when I catch myself thinking this way, I realize how egocentrically Western I sound, and fall back on the same anxiety I’ve always had: that I am far too American for my own good, and lack the proper spice to be a man worth with something truly new, cool, and interesting to say in a state, in a country, in a world where everyone believes their outlook to be the freshest and most unique. I admit that, in a way, I want to be Greek for what it can bring me.
I feel guilty about this. My grandparents are in their eighties, and while they are in excellent health, they likely have between five and ten years left before they die, at which point the culture they have so desperately tried to preserve will melt away. This is their loftiest existential burden. They have spent their lives telling my mother, my uncles, my siblings and cousins and me that, without family, there is nothing to live for. None of us disagrees, but we all have our own conceptions of family. To them, a family is not only loving and accepting and invulnerable to dissolution, but specifically Greek. By the end of our tenure on the planet, they say, we’ll want to gather all of our brothers and sisters and nieces and nephews and sons and daughters and grandsons and granddaughters and hold hands and clack our teeth and kick our legs in a rotating kalamatianos circle, chanting and humming to the melody of an old bouzouki and an even older Greek crooner who grew up in a remote village somewhere in the Troodos Mountains.
Look around, my grandparents want us to shout. Look around at everything I have created. My life; my work; my love. All of it is here, around me, and all of it will forever be here, and nothing can take that away from me, not even death, because our blood is pure, our blood is permanent, our blood is sacred.
That is their favorite word, blood. Blood running, blood boiling, blood flowing thick and true and Greek. But even blood isn’t without complication. A few years ago, out of a boastful desire to prove his Greekness, Papou ordered an ancestry test kit from 23andMe, spat in a clear plastic vial, and sent the sample to an analysis lab in San Francisco. A few weeks later, his DNA results returned:
Ancestry Composition
Your DNA tells the story of who you are and how you’re connected
to populations around the world. Trace your heritage through the centuries and
uncover clues about where your ancestors lived and when.
Andreas Petrides
Turkish: 50%
Caucasian: 47%
Italian: 3%
There was not even a trace percentage of Greek. Considering that Papou had spent his eighty-five years believing that there was no Greeker man on the planet, he was bewildered.
There has been a Greek church in my village for centuries! he protested, as if doing so would make his spit more Hellenic. I am no Turk, I am no Caucasian, and I am no Italian. This test—this test is rubbish!
For all the situation’s unintentional hilarity, it has left me wondering what it means, really, to be Greek, if it is more a question of nature or of upbringing. Does the fact that my grandfather is not genetically Greek mean that his Greek pride has no basis? Is his rejection of the test’s results hubristic or terrified? Can Papou call himself Greek because everything about him, from his strong accent to his favorite foods to the Panagia icon hanging over his bed, is steeped in Hellenic honor? And what about my grandmother, who considers herself an indomitable Greek griá? She didn’t take the DNA test, but if she had, what would her blood communicate?
And, as egoistic as it may be to ask, what about me? If my blood, my genetic legacy, is not, in fact, Greek, then why establish a healthier connection to my roots? Is there a point in writing about my heritage? Or is culture not about genetics, but about what you choose to integrate into a life that is irreconcilably distant from that of your ancestors?
I accept that I will never answer these questions, though it still bothers me that they are doomed to be rhetorical, literary devices whose sole purpose is to provoke vain thought. That is, unless, within the next few years, I take a trip to Florida and ask my grandparents how to make pastitsio. Before it’s too late, or so I tell myself. Everyone has to start somewhere.
Cure for a Broken Heart
-K. Andrew Turner
It had to be late for this to work, for some reason. So, Dorian found himself on the sandy beach, toes digging into sand long gone cold. The wind whipped off the ocean and tore through his thin hoodie, the bag of donuts bouncing off his thigh.
Eventually, he settled just above the water line, the roar of the ocean drowning his thoughts. He pulled out the first donut: plain old-fashioned.
He looked at it, trying to decipher the meaning in the ridges, the sliver of moon hardly enough to see details. Maybe it meant he would be alone forever.
Few people were out at this time of night, but as this was Santa Monica, there were enough to keep him from being truly isolated.
His phone buzzed and he ignored the messages. Next was a cherry-acai frankendonut. He ate half and threw the rest to the bottom of the bag. No thanks.
Two left. Chocolate or …?
He looked up to the stars. Late night clouds had begun to creep in and he could only see a handful. A few oil rigs in the distance blinked at him.
Next was a fruity pebble donut, glazed with bits of cereal on top. Dorian stood and put his feet in the cold water, letting the water lap his feet as he finished the donut.
Only one left to go. His favorite: chocolate glazed, with sprinkles. Everything was better with sprinkles. Maybe Paul had been a jerk. Was there any consolation that he found out sooner rather than later? Maybe he could go to the party next week that DJ Danny had each Saturday night.
Dorian tossed seashells back to the ocean, contemplating the vastness of the sea and the lingering taste of fresh donuts.
Contributors
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Garrett Ashley
Garrett Ashley is the author of PERIPHYLLA, AND OTHER DEEP OCEAN ATTRACTIONS (Press 53, 2024) and HABITATS (Loblolly Press, 2026). His work has appeared in The Normal School, Reed Magazine, Moon City Review, Grimoire, and Tilted House, among others. He lives in Alabama.
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Esteban Cajigas
Esteban Cajigas is a Colombian fiction writer based in New York City. His work weaves together themes of identity, family, immigration, surrealism, and music. While pursuing a degree in journalism at Suffolk University, Cajigas contributed to The Boston Globe as a Globe Correspondent and served as Editor-in-Chief of The Suffolk Voice. He later earned a Master of Fine Arts in Creative Writing from Antioch University in 2019. After several years in Boston and Los Angeles, he relocated to New York, where he writes in the quiet company of his cat, Lou.
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Marc Cid
Marc Cid is a Filipino-American poet based in SoCal. He enjoys hard rock and soft cheeses. Marc is working on his first full-length manuscript, "Your Funeral Sucked, by the Way," about mental health and religious trauma from an immigrant community background.
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Brian Gresko
Brian Gresko is a writer, illustrator, literary journalist, and educator based in Brooklyn. They co-host Pete's Reading Series, Brooklyn's longest running literary venue, and co-founded Writing Co-Lab, an online teaching cooperative. Their latest book is You Must Go On: 30 Inspirations on Writing & Creativity, a book of letters on why to write and how to keep at it in a world that wants you to shut the hell up.
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A.J. Jacono
A.J. Jacono is a queer Manhattan native who has been writing ever since he could hold a pen. His work has appeared in The Best American Mystery and Suspense, Southeast Review, The MacGuffin, The Offing, and upstreet, among many other journals. He is the recipient of the 2019 Herbert Lee Connelly Prize, has been nominated for a Pushcart Prize, and is the founder of The Spotlong Review, an online literary and arts journal. He is also the owner of Bibliotheque, a bookstore, café, and wine bar based in New York. If you would like to learn more about A.J., you can visit his website: www.ajjacono.com
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Giovanni Mangiante
Giovanni Mangiante is a poet and translator from Lima, Perú. His work appears in Chiron Review, Book of Matches, Open Minds Quarterly, among others. In Spanish, he can be found in Casa Bukowski, Kametsa, El Pez Soluble, and Nagari Magazine. His book “POEMS WRITTEN UNDER PERUVIAN WINTERS” (2021) was published in bilingual format by BookHub Publishing Group. He lives with his dog, Lucy.
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Natalie Marino
Natalie Marino is a poet and practicing physician. Her work appears in Hayden Ferry’s Review, Little Patuxent Review, Pleiades, Salt Hill, wildness and elsewhere. She is the author of the chapbook Under Memories of Stars (Finishing Line Press, 2023). She lives in California. You can find her online at nataliemarino.com or on Instagram @natalie_marino.
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Blake Simpson
Blake Simpson is a pizza cook, student, and poet living in New Hampshire who concerns themself with catenary wires and far-off lights. Simpson’s writing often deals with mental in/stability, distance, and loss of familiarity. Their work can be read in The Foundationalist.
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Donna Spruijt-Metz
Donna Spruijt-Metz’s books are ‘To Phrase a Prayer for Peace’ (Wildhouse Publishing, 2025), ‘General Release from the Beginning of the World’ (Free Verse Editions, 2023), ‘And Scuttle My Balloon’ (with Flower Conroy, Pictureshow Press 2025) and her translation from the Dutch of Lucas Hirsch’s ‘Wu Wei Eats an Egg’ (Ben Yehuda Press 2025). Chapbooks include ‘Slippery Surfaces’, ‘And Haunt the World’ (with Flower Conroy). and ‘Dear Ghost’ (winner Harbor Review Editor’s prize). Her poems appear in Poem-a-day, Alaska Quarterly Review, American Poetry Review, and elsewhere. She’s an emeritus professor, MacDowell fellow, rabbinical school drop-out, and former classical flutist. She gets restless.
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K. Andrew Turner
K. Andrew Turner writes queer, literary and speculative fiction, poetry, and nonfiction in stolen weekday moments. In 2013, he founded East Jasmine Review—an electronic literary journal, with a focus on publishing diverse writers. He was a semifinalist for the 2016 Luminaire Award in poetry. His full-length poetry collection Heart, Mind, Blood, Skin is now available from Finishing Line Press. He also has a chapbook, “Gymlationship” from Arroyo Seco Press His work has also appeared in Chiron Review, LUMMOX, Carnival Literary, Sadie Girl Press, MUSE, Redshift, and other publications and anthologies. Find more at www.kandrewturner.com or follow him on X/Instagram/BlueSky @kandrewturner.